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"femlash" : "slash" :: "microwave oven" : "oven"
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Some people are having "the authorial responsibility discussion." Some people are having it intelligently, some foolishly, some civilized, some wankfully--such is the way of the world.
Long-time readers will remember me struggling with these very questions myself when I asked "Do texts speak with a moral voice?"
But the question can't be--or at least shouldn't be--about what is inherently objectionable. The issue is context. Who is reading? Who is being harmed? The last question requires a healthy dose of both theory--to understand how thoughts can lead to words can lead to deeds--and empiricism, to see how they are actually doing it. The same text in different contexts can serve radically different--often diametrically opposite--functions. Nineteen Eighty-Four, a novel by socialist Eric Blair, has been reappropriated by the neo-conservatives. Hell, the New Testament has been basically reappropriated by evangelicals and conservatives. WTF?
It's not what is being written, in and of itself, which is at issue; it's what is being written in the context of how, and by whom, it is being read. (And who's writing, both individually and as a community.) What may be perfectly fine in the feminist utopia may be problematic in the here-now, and vice versa.
What other texts--and by texts I include practices, customs, behaviors--does the text in question connect with or resist? Sexual deviants, good and bad, do not have a broad network of structures already in place in our culture to facilitate their predation; sexists, racists, and heterosexists do. (Where rapists fall could be arguable--but again, noncon in a mainstream comic book is not going to have the same sociological effect as in a fanfic. It's just not. The values of the interpretative community are different, the readers are different, it just has a completely different function, and any quick and easy comparison between the two is absurd.) A story about incest is not going to function in the same way as a story about racism.
(Which is not to say that I don't come down firmly on the side of laissez-faire when writing what we want, when representing our fantasies. We have to work out our issues within the iconography which we have at hand, at that means at times writing things which may be sexist, racist, or heterosexist. But writing what we want is not the same as refusing to be critical of them after we've written them--the response to problematic speech is never supression, and always more speech.)
If you don't believe that patriarchal structures and systemic sexism (racism, heterosexism, etc.) are embedded in our society, then I'm sure that we feminists come off looking like self-righteous, wanton hypocrites, wanting a ridiculous double standard.
But then you come off looking willfully blind, so I suppose we're even.
*
Some people are having "the authorial responsibility discussion." Some people are having it intelligently, some foolishly, some civilized, some wankfully--such is the way of the world.
Long-time readers will remember me struggling with these very questions myself when I asked "Do texts speak with a moral voice?"
But the question can't be--or at least shouldn't be--about what is inherently objectionable. The issue is context. Who is reading? Who is being harmed? The last question requires a healthy dose of both theory--to understand how thoughts can lead to words can lead to deeds--and empiricism, to see how they are actually doing it. The same text in different contexts can serve radically different--often diametrically opposite--functions. Nineteen Eighty-Four, a novel by socialist Eric Blair, has been reappropriated by the neo-conservatives. Hell, the New Testament has been basically reappropriated by evangelicals and conservatives. WTF?
It's not what is being written, in and of itself, which is at issue; it's what is being written in the context of how, and by whom, it is being read. (And who's writing, both individually and as a community.) What may be perfectly fine in the feminist utopia may be problematic in the here-now, and vice versa.
What other texts--and by texts I include practices, customs, behaviors--does the text in question connect with or resist? Sexual deviants, good and bad, do not have a broad network of structures already in place in our culture to facilitate their predation; sexists, racists, and heterosexists do. (Where rapists fall could be arguable--but again, noncon in a mainstream comic book is not going to have the same sociological effect as in a fanfic. It's just not. The values of the interpretative community are different, the readers are different, it just has a completely different function, and any quick and easy comparison between the two is absurd.) A story about incest is not going to function in the same way as a story about racism.
(Which is not to say that I don't come down firmly on the side of laissez-faire when writing what we want, when representing our fantasies. We have to work out our issues within the iconography which we have at hand, at that means at times writing things which may be sexist, racist, or heterosexist. But writing what we want is not the same as refusing to be critical of them after we've written them--the response to problematic speech is never supression, and always more speech.)
If you don't believe that patriarchal structures and systemic sexism (racism, heterosexism, etc.) are embedded in our society, then I'm sure that we feminists come off looking like self-righteous, wanton hypocrites, wanting a ridiculous double standard.
But then you come off looking willfully blind, so I suppose we're even.
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Absolutely spot on. I recently got into a discussion that was rapidly turning into an argument with a feminist, and I eventually abandoned it for just the reasons you give - she was coming across as all the things you list (and also, perhaps most importantly to me - as wishing to impose her own standards on the rest of us) and I was finding it increasingly hard to hide my dislike for the personality that was revealing in her, and it became increasingly obvious that she was considering me as foolishly naive, and lacking in compassion to boot, and she was finding it just as hard to hide her dislike for what she was seeing in me.
I think that ultimately, where you stand on something like feminism comes down to a very fundamental matter of how you see the world and what your personal experience has taught you about how to interpret what you see - and those are matters so complex, so involved with our upbringings and hence unchangeable, that probably never the twain shall meet.
But oddly enough, people with two radically different views on the origins of the issue can still reach the same opinion by coming from opposite directions, because as it happens the feminist and I were both agreeing on something.
Such is the way of people :o)
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If I as a woman honestly believed that as a woman I could never be as interesting or cool or good as a man, why not just shoot myself since I can obviously never live up to the big standards? Do you really go through life thinking your are flawed because you were born a woman since only men have interesting stories? I love men, I'm attracted to them, I like reading about them. But I cringe every time somebody says women just couldn't be possible be interesting. Not for feministic reasons, because as a women, that kind of world would just be too depressing. Sounds too much like saying "Hey, women, your life might as well be useless because none of your stories will ever be worth telling because you just aren't interesting;".
I believe that men and women are equal as human beings. And that therefore that both have the potential to be interesting.
...And I believe I have hopelessly veered off topic here.
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Just, thank you. In fanfiction, it is hardly ever the content per se that makes me uncomfortable. It's the claims made by the community about the content, which are very often triumphalist or at least flat-sided, not fully explored. If we're going to theorize, surely we owe it to ourselves and each other to be inclusive about the work our storytelling does, both good and bad.
Thank you again for this elegant and incisive summing-up.
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http://alixtii.livejournal.com/tag/moral+voices
(You forgot the "s") There's some more interesting ideas there, hate for other people to miss them :)
Here from
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