Adapted from a Conversation with
wisdomeagle
Aug. 27th, 2007 06:22 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The concept of canon whoredom requires, if not a single privileged meaning (which the authorial intent people of course have, or at least claim to have), then a set of privileged meanings which exclude a set of other meanings. One can see me working towards this in some of my earlier meta in which I try to perform a conceptual analysis of what makes something AU. Making Tara a robot doesn't make a fic AU, because we don't know she isn't, but...
...but what? If you take it far enough, there really isn't anything that can't be reconciled with canon with enough fanwanking, even if it seems like a fairly straightfoward objective claim like what was written on Buffy's tombstone (which is itself an interesting case, as the existence of Buffy's tombstone, while "clearly canon," is itself hard to reconcile with the events of "Bargaining" and is thus in need of fanwanking). The text becomes radically manipulatable, and there are no privileged meanings--which is pretty much where I am now. A Wittgensteinian response would probably be to recognize that within a group of socially positioned readers, certain meanings would emerge as more central than others, in the way that a microwave oven is less "oven"-y than a toaster oven, but would resist the notion that we could ever systematize that spectrum, since to do so would require a position outside of language. That is, to the Wittgensteinian, what is important is that it "feels right," which is I think what we go for in fanfic over and above technical accuracy. So we end up with an approach that actually privileges fanon over canon.
I do think that the impulse, which I manifested as a baby fan, to delineate a set of acceptable meanings is a gendered one, especially insofar as it seeks to ally the gendered subject with a system of Authority (sometimes a system of clearly imaginary authority--do the producers of our shows really care if we accept X as canon?) against the violator. These issues have been brought up in
fandebate, but the best example might have been that guy in
fanficrants who claimed that all the people who were writing SPN/BtVS should a) use comics canon, b) use the "right" interpretation of canon, in which Willow's level of power in comparison to that which they've seen in the Winchester's universe was X. Bargining in and telling the women how to write their stories. Not to mention how it fits into the fanboy stereotype of knowing all of the exact technical specs of the Enterprise. All the focus on facts and dates and measurements, and relatively little on character--my (previously-held) notion of canon-whoredom/AU-ness just sort of shrugged and swept that into a separate category of OOCness, which was too fuzzy to sharply delineate, and then ignored it.
...but what? If you take it far enough, there really isn't anything that can't be reconciled with canon with enough fanwanking, even if it seems like a fairly straightfoward objective claim like what was written on Buffy's tombstone (which is itself an interesting case, as the existence of Buffy's tombstone, while "clearly canon," is itself hard to reconcile with the events of "Bargaining" and is thus in need of fanwanking). The text becomes radically manipulatable, and there are no privileged meanings--which is pretty much where I am now. A Wittgensteinian response would probably be to recognize that within a group of socially positioned readers, certain meanings would emerge as more central than others, in the way that a microwave oven is less "oven"-y than a toaster oven, but would resist the notion that we could ever systematize that spectrum, since to do so would require a position outside of language. That is, to the Wittgensteinian, what is important is that it "feels right," which is I think what we go for in fanfic over and above technical accuracy. So we end up with an approach that actually privileges fanon over canon.
I do think that the impulse, which I manifested as a baby fan, to delineate a set of acceptable meanings is a gendered one, especially insofar as it seeks to ally the gendered subject with a system of Authority (sometimes a system of clearly imaginary authority--do the producers of our shows really care if we accept X as canon?) against the violator. These issues have been brought up in
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(no subject)
Date: 2007-08-28 10:03 pm (UTC)Whereas someone (male or female) who approaches a hypothetical Final Fantasy VII/Devil May Cry crossover from a characterisation-focused viewpoint would say, "They wouldn't fight in the first place because they're both good guys." Yes?
(no subject)
Date: 2007-08-29 06:17 am (UTC)I'm not sure the difference between detail-oriented and character-oriented fannishness is as distinct as some fen think, though. You can spend hours writing epic Captain America/Iron Man shipper fic, and also be able to explain Marvel continuity and the difference between Wakandan and Antarctic vibranium at length.
(no subject)
Date: 2007-08-29 01:04 pm (UTC)I mean, I'm sure a character-oriented fan would be more likely to write "they team up!" than "they fight!", but the general crossover formula usually calls for a team-up after an initial conflict and misunderstanidng (which is usually inconclusive to keep from pissing anyone off). And versus MB threads are outright banned on a lot of even male-dominated forums I frequent, because they mostly serve to piss people off.