Classism and Realism

[alixtii]

There's some metafandom-ed posts about Supernatural and class, and at least one flocked post on my flist thinking about it in the abstract, and it's gotten me to revisit my thoughts, because class really does color the way I view fictional characters quite deeply. Well, maybe not class per se, since I've said things like that in the past and been forced to take them back, but classed markers certainly, even as I'm still not at all sure the distinction makes any sense. (Not gender per se but gendered markers? Not race but racialized markers? What are gender, race, and class except a set of markers? Is there such a thing as class essentialism?) Education, idiolect, certain values, cultural capital--things like that--with the archetypal example being high-school student Buffy Summer's ability to make topical allusions to Arthur Miller or Samuel Beckett. (So admittedly it is a very narrow set of classed--and raced and gendered, but especially classed and raced--markers that make me interested in a fictional character.)

Now, the thing I'm still struggling with is how problematic that fact is. It seems acceptable to say "I'm not interested in watching a show about working-class characters" in a way it would never be to say "I'm not interested in watching a show about women" or "I'm not interested in watching a show about characters of color." But as a person of immense privilege, the fact that it seems acceptable may be no more than an indicator of how far I still have to go--the way that replacing "white" and "black" for "men" and "women" in a certain situation can make it much clearer how problematic it is, as in this comment to a languagelog post:

In general, though, I would say there is clearly much more public tolerance in the US for prejudice against women and misogynistic speech than there is tolerance for racist speech. This was most clearly illustrated to me in a story a professor of mine in University told of an administrative meeting he attended where one of the speakers was discussing a vote that had taken place and in relation to that made a joke about how giving women the right to vote had been a mistake, and was met with genuine laughter. He noted, truthfully I think, that this would have been met with awkward incredulity if it were instead about African Americans or some other racial group.

Of course, the degree to which this works will depend on just how "real" one considers sexual difference to be, as evidenced by all the people who disagree with me on whether there will be gender-segregated bathrooms in the feminist utopia. (Of course, insofar as the point of gender-segregated bathrooms is to keep the other sex out, I'd argue there's something hugely heterosexist as well as sexist going on there.) (And if we look at the way racial difference went from seeming quite real to the idea being almost absurd, I don't see why the same process couldn't play out wrt gender.)

Still, it seems to be natural and unproblematic to say "it's better to be rich than to be poor" (even though what I'm really interested and invested in has nothing to do with income except insofar as hip-hop music has something to do with race or skirts have to do with gender) in a way one can't even say, say, "it's better to see than to be blind." (Not that I'd want to say the latter, mind you--I've learned better--but I think it's still intuitive for a lot of people.) And I can only doubt my privilege so much.

In the end, I suppose it comes down to the fact that while the "reality" of sexuality difference is more or less irrelevant to gender inequality (by which I mean that having a penis doesn't convey in itself any real power), and thus the semiotic power of gendered markers are able to function more or less independently of that reality, and the reality of racial difference (none at all chromosomally) is in some ways more and some ways less divorced from racial inequality, Not having a penis is only a lack once you've read Lacan. Similarly with not being white. Not having money, on the other hand--well, obviously this too is a lack which is in large part semiotic, since currency doesn't have any intrinsic value, as you can't eat or drink it--not having the stuff which money can buy to satisfy one's needs and wants, however, represents a real imbalance in power which is not present in the raced or gendered scenarios. And "classism" as a superstructural system of injustice where the rich think the poor are ignorant trash and the working-class think the upper class are pretentious twits sort of operates above this base.

Except that now I sound like some cross between a Lacanian, a classical Marxist, and a metaphysical realist (what is this "real" of which I speak?) and--perish the thought. And ultimately, this distinction does seem to be bogus. The phenomenology of women's lived experience under systemic injustice is that of a "real" lack, no more or less than the one that comes from not having money to spend. All the money in the world won't help you if your boyfriend won't let you out of the house to spend it.

Comments

Re: this may be unpopular but....

[executrix.livejournal.com]

TV isn't quite as gender-unbalanced as the US Senate, but there are a lot more male than female characters, and male characters get a lot more lines.

Re: this may be unpopular but....

[dv8nation.livejournal.com]

You're comparing TV to the Senate? Apples and oranges.

Re: this may be unpopular but....

[alixtii.livejournal.com]

Her overall point still stands, I think.