The Tradëscan Codex

(N.B.: Portions of this letter have been lifted from last year's letter.)

Thank you for signing up to write a story for me! You're one of 7 people (one of whom was me) who offered to write for Tom Sawyer, one of 9 people (one of whom was me) who offered to write for The Secret Garden musicalverse, one of 9 people (one of whom was me) who offered to write for Heinlein's multiverse, and/or one of 9 people (one of whom was me) who offered to write for Where on Earth is Carmen Sandiego?, and I love you for that alone.

If you check out my userinfo, you'll find a 'thon policy which implores that you be true first and foremost to the prompt and your muse, and to consider whether I'd like a story as, at most, a secondary concern. I stand by that, but I also recognize there is a sense that a yuletide story is explicitly a gift in a way which most 'thon fics aren't, so feel free to surf through this journal to get a feel for me, and here's a little bit more, if you are interested, to help you understand how I relate to the specific texts and characters in the fandoms I've requested and what I might like.

I'm drawn to what I call will-to-poweriness, the adolescent fantasy, the desire to exceed oneself that also draws me to things like superhero comics (one of my fandoms is, indeed, X-Men) and fantasy shows like Buffy the Vampire Slayer (which is my main fandom). My especial kink is children and teenagers who prove themselves to be the equals (or betters) to adults because they are just that awesome. All of this comes through in my requests, I think, although not quite so much as in years past. There is a clear will-to-poweriness in Where on Earth is Carmen Sandiego?, most of all in Carmen herself, of course, beyond good and evil, doing whatever she wants whenever she wants because she can, stealing things for no good reason except as an expression of her superiority, the former ACME agent engaged in a perpetual game of cat and mouse. But also, on one level, in Zach and Ivy, the young (!!) ACME agents who pursue her, and on another level, in Player, just as much a teenager, radically empowered within the world of the game she plays and manipulates, Carmen's eternal antagonist.

Likewise, Laz and Lor always get the better of their elders. Mary Lennox is one of my paradigm cases of a radically autonomous female child. And what is the appeal of Tom Sawyer and Huckleberry Finn if not as part of just this type of fantasy?

This, actually, is where my interest in incest comes from: with these radically autonomized figures no real problematization of consent is possible, an argument I make more fully in this post from 2006. But don't feel like you have to write incest if you've matched up with me on Heinlein or Twain; I'd much prefer experiencing the characters as you see them behaving in-character as you see them than twisted out of shape to force them into bed with each other. The most important thing is to preserve the canon dynamics--I have my trusty 'cest goggles for everything else. Although if you throw me a bone in making it subtexty, that's wonderful too.

Although, really, Laz/Lor is pretty much canon, no? But there is a way in (my corners of, I don't know whence you hail) fandom that we use sex as a metaphor for emotional intimacy, so that twincest becomes the deepest, strongest type of interpersonal communion imaginable--and this is the dynamic I'm looking for with Tom/Mary and Laz/Lor and even Mary/Neville, the way their strongest bond is to each other, and if you feel most comfortable providing that bond in a non-sexual way that's still absolutely wonderful.

( more on where on earth is carmen sandiego )

( more on tom sawyer )

( more on secret garden musicalverse )

( very little about r.a.h. )

Thank you again for writing a story for me. Be true to your own muse, and I'm sure I'll love the result!

Yours in La Mancha,

Episkopos Reverend Alixtii O'Krul V, TRL
Church of St. Jesu the Heretic, Discordian